A backstory. Fawn // mixed media on linen 58" x 48" I rarely approach painting with a fixed plan. Not because I’m a free spirit, but because the work doesn't listen to plans anyway. It insists on becoming what it wants to become. My job is mostly to keep showing up and try not to get in the way. Fawn is a record of that—messy, layered, and full of detours. It started as a forest of antlers. Then a boy in a cape. Then a winter scene, with the boy cradling a small animal—a rabb

Not everything beautiful asks to be noticed. Some details live in the margins—the way sunlight lands on the side of a wall, or how a...